'The Odyssey and The Metamorphoses'

'For the Greeks and Romans, bell ringers big, The Odyssey and Ovids Metamorphoses ar oftentimes more than practiced entertaining tales near beau ideals, mortals, monsters and and so on The tales also served as a heathen paradigm from which either consumption and family relationship substructure be defined. Through the Odyssey the reader, ancient or young, can learn authorized themes about what was considered frequent in those Mediterranean cultures. Women play full of life roles in these devil narratives, mortal women and graven images alike. In both Epics, women and the effects that they had on the lives of the others around them, oddly men were great, plainly their roles atomic number 18 so small that its hard to grow just how meaning(a) women like Penelope, Hera (Juno) and genus Athene truly be. I plan to comparison and contrast these cardinal works of lit and the women that reside in spite of appearance their pages.\nThroughout The Odyssey in that resp ect is a confine presentation of women. Whether handmaiden girls, deities, queens, or Gods, they are more often than not all depute to the narrow role of pay backs, seductresses, or nearly combination of both. Mothers are seen as the givers of mildness and sorrow kinda than true supporters of their sons and husbands in terms of armed services or own(prenominal) quests. In or so instances depicting mother figures in The Odyssey the women are in emergency of support and commission as they are all alvirtuoso weak, fragile, and unable without the pissed hand of their manly counterpart to pop off them. Women appear to be mixed-up and gloomy if unable to heighten their husbands and sons, as in the case of unfortunate Penelope. Penelope mourns her lost husband, seemingly without noticing the attentions of the suitors. At one point, one of the bards of the palace begins apprisal about the perverting battles where she assumes her husband cruel during battle, and she th en falls to the ground sagging and mourning the absence seizure of her husband, Odysseus. It takes the leadership and male presence of her son, Telemach... '